West Baltimore Squares – Remembering the Celestial Ceiling of the Harlem Theatre

Thanks to Baltimore Heritage intern Elise Hoffman for researching and writing this post on the history of the Harlem Theatre. This post is cross-posted from the Friends of West Baltimore Squares blog.

The Harlem Theatre, now known as the Harlem Park Community Baptist Church, is a local landmark on the western edge of Harlem Park– one of the city’s most extravagant African American movie theaters with a unique “celestial ceiling” featuring “twinkling electrical stars and projected clouds.” Built in 1902 as the home for the Harlem Park Methodist Episcopal Church, after they out grew their previous building, the structure still retains its ornamental Romanesque style with arched doors and windows made of rough blocks of Port Deposit granite.

Image courtesy the Maryland Historical Society, B1617

Harlem Park Methodist Episcopal Church did not remain in the area long however. After the building opened in 1903, two destructive fires — in December of 1908 followed by an even more severe fire in 1924 — led the congregation to sell the building and move out to a new church at Harlem and Warwick Avenues at the western edge of the developing city. At the same time the neighborhood began to transition from a largely segregated white to a predominantly black community, a change that almost certainly influenced the white congregation. In 1928, the congregation sold the church to Emanuel M. Davidove and Harry H. Goldberg, owners of the new Fidelity Amusement Corporation, established to build “a 1,500 seat motion picture theatre for Negroes…to be known as Harlem Theatre.”

The company hired architect Theodore Wells Pietsch, a notable Baltimore architect who also designed Eastern High School and the Broadway Pier. Pietsch took the property’s history into consideration when designing the new building: the theatre was made fireproof through the use of steel and concrete, and a fire extinguishing system was also included in the building’s design. Pietsh’s new design had an elaborate Spanish Mission theme described at the time as one of most elaborate designs on the East Coast and promoted as “the best illuminated building in Baltimore.” The bright façade included a 65-foot marquee with 900 50-watt light bulbs illuminating sidewalk underneath, “tremendous electric signs” around the marquee, and a forty-foot tall sign that could be seen from two miles away.

In October 1932, the owners organized a celebration to open the theater “in a blaze of glory” drawing jubilant crowds of 5,000 to 8,000 people. The jubilant scene was described by a journalist:

“The blazing marquee studded with a thousand lights made the entire square take a semblance of Broadway glamour. The marquees illuminated the entire Harlem Square which was crowded with those who lined the sidewalk unable to gain admittance.”

Over the next forty years, countless numbers of Baltimore residents enjoyed the theatre’s “cavernous three-story high ceiling, a balcony, carpeted floors and thick cushioned seats” and “celestial ceiling with twinkling electrical stars and projected clouds that floated over movie-goers’ heads.” The Harlem Theatre also hosted events supporting the broader community, such as a free “Movie Jamboree” in 1968 for the children of Baltimore workers donated by the theatre’s then-manager Edward Grot, and midnight shows to raise money for the local YMCA. Unfortunately for the Harlem, as movie theatres that previously discriminated against black customers began to desegregate in the mid 20th century, their business declined. By the mid-1970s, the Harlem Theatre had closed.

The building took on a new life in 1975 when Reverend Raymond Kelley, Jr. purchased the old theater and turned it into the Harlem Park Community Baptist Church dedicated on July 6, 1975. The building has been refurbished– the congregation traded in the old theater seats for pews and removed the large marquee–but much of the original historic character remains intact. Of course, the story of the Harlem Theatre also remains in the  memories of thousands of Baltimore residents and we hope you can share your stories with us in the comments.

Do you want to share your photos or stories of West Baltimore landmarks? Please get in touch with Eli Pousson at pousson@baltimoreheritage.org or 301-204-337.

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Behind the Scenes Tour of the Secret Paths of Roland Park & Original Home of the Odyssey & Baltimore Lab Schools

Image of Roland Park courtesy of the Urbanite.

Okay, maybe the footways in Roland Park aren’t that much of a secret, but they are somewhat hidden and are an important part of the neighborhood’s Olmsted design. Please plan to join us for our next Behind the Scenes Tour on Saturday, November 5th at 2:00 p.m. We will start with a short walking tour led by Judy Dobbs of the Friends of Maryland’s Olmsted Parks & Landscapes, who will escort us along some of the Olmsted paths through Roland Park. We will end where we begin, at the house where the Odyssey and Baltimore Lab Schools got their start, 4906 Roland Avenue, for a tour by current owner Ms. Elissa Strati.

Secret Paths of Roland Park & Odyssey/Lab School House

Saturday, November 5, 2:00 pm – 3:30 pm
$10/members, $15/non-members.
RSVP for the tour today!

We will start and end the tour at 4906 Roland Avenue. Parking is available on the street. We will go rain or shine.


The Roland Park Company developed Roland Park in the late 1800s. Incorporated into its plans was a series of 18 footpaths, designed to expedite foot traffic between sections of the neighborhood, especially those where the terrain made it difficult to build roads. Designed by the firm of Frederick Law Olmsted, Jr., the paths were part of a hierarchical system of roads in front of houses, service lanes in the rear, and footpaths that provided convenient ways to cross through the neighborhood in a natural setting. Each path is named with a distinctly country ring: Squirrel, Hilltop, Laurel, Tulip. Others are decidedly British: Audley End, Tintern, St. Margaret’s, Litchfield. In 1991, the paths were refurbished and cedar posts installed with handmade white oak replicas of the original breadboard signs to mark many of the trails.

The house at 4906 Roland Avenue that we will tour has had many lives. Originally built c. 1900 as a single-family home, it has spent much of its life as a place of learning. By 1946 it had become the Homeland Academy, followed in the 1970s by the School of Contemporary Education. In 1994, The Odyssey School opened its doors for the first time for children with language learning differences. In 2000, The Odyssey School moved to its current home in Stevensonville. The Baltimore Lab School, an off-shoot of the Washington DC Lab School, set down its first roots in this house on Roland Avenue until moving to the Old Goucher College building in Baltimore. In 2005, the house was purchased by Alfred and Elissa Strata, who had the arduous task of converting the long-time school back into a single-family home. Ms. Strata will share her tales of discovery and woe in bringing this beautiful turn-of-the-century home full circle to its original purpose.

Support our work through the Maryland Charity Campaign

Our work to protect and preserve Baltimore’s heritage is only possible thanks to the support of members who believe in our mission. If you are a state employee, this is a great time to become a member of Baltimore Heritage by making a gift through the Maryland Charity Campaign. The Maryland Charity Campaign is an annual workplace giving program that offers state employees the opportunity to contribute to charities using a convenient payroll deduction.

Make your gift of $35, $50, or whatever amount is right for you by filling in 5486 on your pledge card or the online form. For the first time this year, you can make an “Evergreen gift,” and your annual pledge amount can continue to renew annually through December 2013. Gifts made via check or credit cards are for one year and do not rollover. If you are not a state employee, you can still become a member by giving online today. In a very direct way, your help makes all that we do possible. Thank you for your past support and for joining us as we expand our leadership in protecting our shared history and revitalizing our historic neighborhoods.

Behind the Scenes Tour of the Tuscany-Canterbury Apartments

Doorway, The LombardyWhere in Baltimore can you stroll the streets and feel you have visited England, France, Italy, and Spain within a few short blocks? Why in the north Baltimore neighborhood of Tuscany-Canterbury, of course. This historic neighborhood offers an eclectic mix of architecture that, somehow, seamlessly blends together very well. Our focus for the next tour will be on the larger architectural gems of the neighborhood, the apartment buildings. Please plan to join us for a short walking tour of the area’s unique apartment buildings followed by a rare opportunity to view the City from the penthouse of 100 W. University Parkway. David Curtin, a local realtor, has graciously offered us a tour of his penthouse apartment, and to share his magnificent view of the City.

Tuscany-Canterbury Apartment Buildings Tour

Wednesday, October 26, 5:30 pm – 7:00 pm
$15/members, $20/non-members. Wine & cheese will be served.
RSVP for the tour today!

We will start the walking tour portion of the tour in front of the Warrington at 3908 N. Charles Street. We will finish at 100 W. University Parkway for wine and cheese, entering on the University Parkway side. Parking is available on the street.

Tuscany-Canterbury in home to several elegant apartment buildings that harken back to a day when apartment dwelling was in vogue. Many units original floor plans rivaled the square footage of nearby single-family homes. We will start our walking tour at the Warrington, designed by the renowned Baltimore architecture firm of Wyatt and Nolting. Built in 1927, it was the first high-rise and was met with much opposition by the neighborhood. In stark contrast, just north of the Warrington is the modernistic Highfield House, designed by German architect Mies van der Rohe, and completed in 1964. It was the second of two buildings designed by Mies in Baltimore; One Charles Center was the first. Highfield House was added to the National Register of Historic Places in 2007.

The Ambassador was built in 1930 by the Mullan Company, and designed by Washington, DC architect Louis Roulou. The lobby is elegantly appointed with Venetian glass and an elaborate ceiling. Along the way we will also get to see the oldest house in Tuscany-Canterbury as well as other single family homes. Our last stop will be at 100 West University, also a Wyatt and Nolting design, where our host David Curtin will share with us his magnificent view of the city from his penthouse garden apartment.