The only theater in Baltimore (perhaps the entire country) to go from a theater to a parking garage and then back to a theater, the historic Town Theater has a long and colorful history with burlesque, vaudeville, and cinema. Work has just begun for its newest life as the future home of the Everyman Theatre, which is moving from its location on Charles Street. Please join us and Everyman director Vincent Lancisi for a tour of the historic Town Theater midway through its transformation.
Image courtesy Baltimore Sun/Amy Davis, 2009
Tour Information
Date: Wednesday, May 5, 2010
Time: 5:30 to 6:30 p.m.
Place: 315 West Fayette Street
(Between Howard and Eutaw, one block from the Hippodrome)
Parking is available in nearby lots, or better yet, take the Light Rail!
Cost: $10
Registration: Click Here to Register
This week’s Baltimore Building of the Week is the first building in the Western Hemisphere designed and built as a museum, the Peale Museum.
Image courtesy Jack Breihan
Another industry to make an early start in Baltimore was the museum. In 1801, the artistic Peale family (father Charles, sons Rembrandt, Raphaelle, Reubens, and Titian) opened the first American museum in borrowed or rented quarters in Philadelphia. In 1814, Rembrandt Peale commissioned this federal-style museum in Baltimore – the first purpose-built public museum in the Western hemisphere. On display were scientific exhibits like the excavated skeleton of a prehistoric mastodon as well as paintings and curiosities. In 1830, the museum closed, and the building began 45 years service as Baltimore’s City Hall. Later it served as Colored Elementary School No. 1. After restoration in 1928 it once again became a museum, this time of Baltimore municipal history. In 1976 the Peale became part of the underfunded Baltimore City Life Museums, the financial collapse of which was the greatest disaster for the city’s history since the Great Fire. Largely vacant since City Life folded in 1997, the city-owned Peale Museum is the locus of a proposal to open a center for local history organizations.
If the Basilica is Baltimore’s neoclassical Hagia Sophia, its neoclassical Roman Pantheon stands only a block away. Completed in 1819 to the designs of the French architect Maximilian Godefroy, the First Unitarian Church is a simple cube topped with a hemispherical dome. An arched Roman Doric portico and pediment mark the entrance on Franklin Street (the new prayer garden commemorating Pope John Paul II has opened up the view). Despite its classic simplicity, the dome had notoriously bad acoustics. Eventually a lower plaster vault was constructed beneath it. Baltimore’s other Pantheon is Davidge Hall, the original building of the University of Maryland, at Greene and Lombard Streets.
This week’s Baltimore Building of the Week is not, in fact, a building. Instead, it is three of Baltimore’s notable “Columnar Monuments.” Both the Battle Monument and Mount Vernon’s Washington Monument have also been featured on the Monument City website. Visitors can take a tour of the Shot Tower’s ground floor exhibit, sound and light show, and informational video are available with appointment at 10:30 AM on Saturday or Sunday. The Washington Monument is open for visitors Wednesday to Friday 10 AM to 4 PM and Saturday and Sunday 10 AM to 5 PM up until Memorial Day.
Battle Monument, Image courtesy Jack Breihan
Completed during the 1820s, two of these towering structures established Baltimore’s distinction as “the Monumental City.” Maximilian Godefroy’sBattle Monument, depicted on the City flag, commemorated the Defenders who died beating off the British attack in 1814. It combines Egyptian and Roman themes, including a giant set of fasces. A gigantic Roman Doric column, Robert Mills’ Washington Monument portrays the Father of Our Country, dressed in a toga, performing what its builders considered his most heroic act. (What was it? answer next week!) The contemporary Phoenix Shot Tower was a monument to Baltimore’s growing industrial sector; it manufactured lead shot for the Chesapeake Bay duck-hunting industry.
In a great new post on Baltimore Brew, Joan Jacobson and Elizabeth Suman lay out the story of the continuing threats to Baltimore’s historic West Side, an area that has been listed on the Baltimore Heritage Preservation Watch List for nearly 10 years. Among the dozens of irreplaceable buildings still threatened with demolition is the Art Deco styled 1934 Read’s Drug Store, designed by renowned Baltimore architecture firm Smith & May, the same firm that created the iconic Bank of America Building. In January 1955, following a year of negotiations with Read’s, a sit-in demonstration organized by the Baltimore Congress of Racial Equality led to the desegregation of 37 Read’s lunch counters citywide, establishing a enduring association between this downtown corner and the struggle for civil rights in Baltimore and the state of Maryland.
For many, the story of fighting for preservation on Baltimore’s West Side is a familiar one. In 1999, the National Trust for Historic Preservation identified the West Side as one of America’s 11 Most Endangered Historic Places. In the early 2000s, Baltimore Heritage, Preservation Maryland, and West Side Renaissance created Baltimore’s West Side Story, produced by West Side Renaissance director Ronald Kreitner. This documentary screened daily at the historic Senator Theater, introducing audiences to the vital issues at stake in the preservation of historic buildings and small businesses on Baltimore’s West Side. Enjoy the whole 9 minute video to learn more or jump to 1:04 for a special cameo by former Mayor and Governor William Donald Schaefer as a born-again preservationist.
