Join us on a tour of the Institute of Notre Dame – a Baltimore landmark that has educated young women for over 150 years. Our guide, long-time resident Sister Hilda Marie Sutherland better known as Sister Hildie, is 81 years old and a local treasure in her own right. She came to IND from St. Mary’s Female Orphan Asylum in Roland Park at age 14 and never left.
Originally established in 1847 as the Collegiate Institute of Young Ladies, the Institute of Notre Dame High School (IND) was founded by Baltimore’s own Mother Theresa – the Blessed Mother Theresa of Jesus Gerhardinger. A native of Munich, Bavaria, Mother Theresa helped to found the School Sisters of Notre Dame (SSND) in Germany and came to Baltimore with a small group of sisters to educate the children of immigrants and minister to the poor. Mother Theresa purchased the original convent building from the Redemptorist priests assigned to nearby St. James in 1847 and soon expanded the convent into a boarding school when the sisters discovered two orphans left on their doorstep. By 1852, the sisters had built the school that still stands today.
The school continued to grow through the years: adding an auditorium in 1885, a chapel in 1892, additional classroom space in 1926, and their gymnasium in 1992. Since the first graduation ceremony on July 24, 1864, over 7,000 alumnae have graduated from IND including House Speaker Nancy Pelosi (1958) and Sen. Barbara Mikulski (1954) who later recalled, “They taught me more than geography or mathematics; they taught me to help those in need of help. They inspired my passion for service.”
Sister Hildie is the perfect guide to the school’s rich legacy with over 60 years in residence at the school. Her service has touched countless students among the school’s students and East Baltimore residents who have been helped by her weekly efforts to collect clothing, household items and food to share with the school’s neighbors. Come out to Aisquith Street and discover the charms and history of Sister Hildie and IND!
The birthplace of American railroading. The site of the first telegraph message in history. The largest collection of 19th-century locomotives in the United States. A National Historic Landmark treasured by every parent of a train-loving child in Baltimore. With this long list of superlatives you don’t need to be a kid to love the B&O Railroad Museum! The nearly 60-year-old museum opened on July 4, 1953 as the Baltimore & Ohio Transportation Museum in the B&O Roundhouse. The Roundhouse, designed by E. Francis Baldwin,was the largest circular industrial building in the world when completed covering more than an acre of ground and rising 125 feet into the air. Regrettably, on an early winter morning just over 10 years ago, disaster struck when the roof of the Roundhouse collapsed under a record-breaking snowfall devastating both the building and the collection.
In the decade since, the B&O has come back stronger than ever and remains a must-see historic site for all Baltimoreans. The museum’s collection includes 250 pieces of railroad rolling stock, 15,000 artifacts, 5000 cubic feet of archival material, four significant 19th-century buildings, including the historic roundhouse, and a mile of track, considered the most historic mile of railroad track in the United States. Join Baltimore Heritage for some wine and cheese and the fascinating history of the B&O Railroad Museum on our latest Behind the Scenes Tour.
We’re excited to share our latest guest blog post from Tom Hobbs, President of the Guilford Association in a series on Guilford’s 100 years of history. The Guilford Association is planning many great events this year to recognize the centennial anniversary which you can find on their website or on the Guilford Centennial Facebook page.
When the Guilford Park Company merged with the Roland Park Company in 1911, Roland Park had been under development for 20 years. The venture to develop the 800 acres that originally constituted Roland Park was made possible by a syndicate of the Lands Trust Company of London, the source of most of the initial capital, Jarvis and Conklin, their agents in a Kansas City trust company, and a group of Baltimore land owners and investors. Following the market crash of 1893 Jarvis and Conklin filed receivership and shortly after local Baltimore investors bought out the interest of the Lands Trust Company.
Through the restructure of the Roland Park Company and the change in ownership and directors, Edward H. Bouton, the secretary of the original syndicate and overseer and planner of the development, remained the visionary force. He became the general manager, developed Roland Park plat by plat, laid out the streets, installed the water, sewer and electric lines, devised the controls on development and sold property lots.
He engaged Frederick Law Olmsted, Jr., son of the preeminent landscape architect, to design the plat west of Roland Avenue, and was the force behind the extensive planning and innovative ideas that had gained for Roland Park the reputation as a premier example of site design, land use and architectural controls that were modeled in the growing garden suburb movement in America. As observed in the Roland Park History, the planners “were less than innovative in the social dimensions of development, advocating the deliberate exclusion of economic and racial diversity.” Born in Kansas City, Bouton had a varied career before his focus on Baltimore land development. He was in the grocery business after high school and studied law at night. He moved to Colorado to raise sheep and cattle. He returned to Kansas City to marry and there became involved in land development.
How Bouton was selected to steer the development of Roland Park is unclear. His vision for the area evolved as he better understood the Baltimore market, the great attractiveness of the land north of the City and as he interacted with the designers the company had engaged. “Our land is the most fashionable, as well as, naturally the most beautiful part of the suburbs of Baltimore,” he wrote. Clearly Bouton saw the potential of the Guilford estate and the directors of the Guilford Park Company no doubt were impressed with the success of Roland Park. Bouton wrote to Olmsted, asking for a map to be prepared showing the consolidation of the lands of Roland Park and Guilford before it was decided to merge the developments.
The Guilford Park Company had started planning for development of the Abell estate by hiring T. T. Tongue, a real estate expert, but Tongue died before much progress was made. They then hired Frederick Law Olmsted, Jr. to prepare the master plan and landscape plans. Obviously Bouton had established a relationship with Olmsted and likely was fully familiar with the Guilford proposals. When the consolidation of the Guilford and Roland Park Companies took place in 1911 the plans were available and development could shortly begin. Site work started in the spring of 1912.
The directors of the new entity were a formidable force of Baltimore influence: Henry F. Baker, Charles C. Fawcett and Robert Garrett, all members of Robert Garrett & Sons; Douglas H. Gordon, president of the Baltimore Trust Company; William H. Grafflin, business man and investor; George Miller, president of the Mar-Del Mobile Company; and Edward H. Bouton, the visionary planner. Bouton was at the helm as president.
Bouton determined to market Guilford as an extension of Roland Park and ads generally referred to this desirable swath of north Baltimore as the Roland Park-Guilford District. While Guilford was to be developed with housing of various sizes Bouton and the company envisioned a community of the highest architectural style and quality. The restrictions developed in Roland Park were expanded by strengthening the design review process, giving the company the right to reject plans “for aesthetic and other reasons” and to take into account whether the proposed house was in “harmony” with its surroundings.
Bouton and Edward L. Palmer, the Roland Park Company’s architect and later designer of many of Guilford’s most noteworthy homes, traveled to Europe in 1911 looking for ideas and studying the domestic architecture. Together they designed a community that was to become the most desirable suburb in Baltimore, “filled with impressive Georgian revival, Spanish colonial, Tudor and Jacobean revival mansions,” as well as romantic cottages “making it the place to live in the city.”
This piece was originally published in the Fall 2011 issue of The Guilford News. Fourteen years after Bouton’s death in 1941, the Guilford community dedicated a memorial at the Gateway Park to the planner and developer who contributed so much to the development of the neighborhood. Look out for our next guest post from Tom on the history of Guilford soon!
Contained on a little less than three acres across from Clifton Park in northeast Baltimore, the Friends Burial Ground tells the stories of generations Baltimore’s Quaker families across their 300 years of rich history in our city. Established in 1713 on a tract of land known as Darley Hall when the Friendship Meetinghouse was built on what is today Harford Road, the cemetery has been in continuous use ever since. While small, and a bit unassuming, the Friends Burial Ground has approximately 1,800 graves with the earliest legible marker dating from 1802 and many undoubtably date from the 1700s. The stone wall around the grounds and the Sexton’s House both date back to the 1860s and, in 1926, 122 graves were moved from a Friends cemetery at at the Aisquith Street Meeting House in Old Town.
The many notable internments include Louisa Swain, who made history in Wyoming in 1880 as the first woman to legally vote in the United States at age 69, and Dr. Thomas Edmondson who lived in a grand estate that eventually became Harlem Park in West Baltimore. Dr. Edmondson recently resurfaced in the public light: it is his collection of Richard Caton Woodville’s artwork that is currently on exhibit at the Walters Art Museum.
Please join us on a tour of the site with long-time caretaker Adrian Bishop, who will share his knowledge of the cemetery and the Sexton House on the grounds that he and his wife call home, together with Ms. Frances Ferguson, who has been digging graves by hand at the cemetery for over 40 years.
Over the winter, Bryan Blundell from Dell Corporation had approached Direct Dimensions with a project to completely laser scan the Two Sisters Houses in Fell’s Point. On a sunny afternoon in March, myself and another technician with Direct Dimensions took our laser scanning equipment down to Fell’s Point and in just 30 minutes created a perfectly accurate 3D digital model of the exterior of the property.
The Two Sisters are two of just a handful of remaining wooden houses in Baltimore’s Fell’s Point. These buildings were donated to the Preservation Society by the Dashiell-Marine family. The name, The Two Sisters, recognizes the efforts of the Dashiell sisters, Mary and Eleanor, to save these and other buildings in Fell’s Point. Since that time, the Society has worked steadily to develop a plan for the saving and utilization of these significant architectural examples of early life in Fell’s Point.
3D scanning is one of the many modern technologies that can be used to help reveal some of the secrets and stories that are part of these amazing structures. The scanning can provide a baseline documentation of the building’s current state, allowing the planning team to design necessary structural supports, and to also serve as a 3D, “as-built” blue print for documenting current conditions and future preservation efforts.
What is 3D scanning?
Laser scanning is the process of collecting millions of individual measurements using laser light. Think of a range finder. A laser beam leaves the scanner on a specific orientation and the time it takes to reflect off a surface and return to the scanner establishes the distance. This happens thousands of times per second. By moving the equipment to various positions and perspectives, an entire site can be “scanned” in 3D. Once the data is merged, the resulting “point cloud” can be used to create traditional drawings, 3D models, and virtual reconstructions & walkthroughs.
So far, Direct Dimensions has only scanned the exterior on Wolfe Street, and will complete the project with funds provided to The Preservation Society by an African American Heritage Preservation Program Grant from the Maryland Historical Trust. This initial scan effort is also valuable as an archived “3D snapshot”, a record of the state of the structure in the spring of 2013.